By Veronika Alice Gunter
Lark Books; 1St version variation (March 1, 2004)
New York : Sterling Pub., ©2004.
Series: 500 Series
Paperback: 352 pages :
color illustrations ; 21 cm
Product Dimensions: 1 x eight x eight inches
Shipping Weight: 2.1 pounds
Notes: comprises index.
Other Titles: 400 wooden boxes
Responsibility: creation by means of Tony Lydgate:
[Veronika Alice Gunter, editor].
Representing conventional woodworking suggestions, corresponding to joinery, carving, marquetry, and lathes turning, and incorporating a shocking number of fabrics, those remarkable designs upload a brand new twist to the attention-grabbing interaction of shape and function.
Featuring four hundred extraordinary works that variety from conventional to wildly modern, this very good gallery celebrates the paintings of the wood field. The splendidly big choice of types comprises conventional jewellery and souvenir, grew to become, and gear containers; miniature treasure chests; and sculptural paintings. every one has been individually selected by means of well known boxmaker Tony Lydgate, and looks in a phenomenal colour plate; some of the bins additionally include special photographs that show very important development secrets and techniques. the choice contains items via a amazing team of artists.
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Extra info for 400 Wood Boxes: The Fine Art of Containment & Concealment
Because the starting of civilization, although, packing containers have involved humankind, no longer for this usefulness, yet due to the means the field turns out to embody that the majority human of all human traits: contradiction. Like humans, containers do opposing issues while. at the one hand, the elemental objective of a field is to protect and guard its contents. It fulfiIJs this goal through removal these contents from sight, and therefore from the damage that discovery may possibly carry. but even as, through viItue of its very presence the field makes a press release: I include whatever helpful. In concealing, the field finds. To discover this contradiction, artists from ·at least as early because the time of the Egyptian Pharaohs have concentrated their artistic effoIts at the wooden field, keeping its performance whereas reworking its outward visual appeal based on their very own inventive visions. New kinds and ideas have inspired those visions over the generations, yet all protect the object's basic nature: a box, predominantly of wooden, that may be opened and closed, and that unearths by means of hiding. i've got chosen the packing containers during this e-book to chronicle how brand new boxmakers are carrying on with this custom, and to exhibit the impressive diversifications they've got invented at the subject of this it sounds as if easy item. As you go back and forth via those pages, you will see that the terribly various ways that varied makers have selected instruments and strategies, kinds and shapes, fabrics and aesthetic techniques to create bins that embrace their very own ideals approximately what's attractive. nearly all of the designs during this e-book are meant for tabletop reveal, yet a few makers have tailored their bins to function wall cupboards, freestanding items, or chests to be set at the flooring. a few have culture in deciding on the rectangle because the foundation for the propoItional dimensions of size, width, and peak. Others have driven conventional limitations by means of developing diversifications at the subject of traditional form, and never a number of have discarded traditional form altogether to make strange and designated kinds. those bins range generally of their use, from the simply sculptural to the strictly utilitarian. New designs for useful containers-silver chests, lap desks, cigar humidors, and packing containers to carry chess sets-are came upon along sculptural packing containers so appealing as items in themselves that whether or not they are worthwhile for containing whatever turns out irrelevant. r- , J Ail the conventional woodworking options are represented the following, together with joinery, carVing, marquetry and inlay, iamination, and lathe-turning. a couple of designs mix concepts, by means of including carving to joinery, for instance, or lathe-turning a lamination. even supposing each one field is made predominantly from wooden, fabrics corresponding to steel, plastic resin, glass, or even stumbled on items additionally look, usually in, unforeseen combos. a variety can also be obtrusive in collection of end or floor remedy. a few boxmakers emphasize the wonderful thing about hugely figured wooden, liberating it from barkcovered darkness to teach its ordinary colour, and bringing out its grain styles with transparent finishes, often given a excessive polish.